“Good and Mad” was composed in a matter of months, with incandescent urgency. In the early months after the 2016 election, Traister resolved to write about the explosion of women’s anger and activism, tracing it over a few years - until she recognized a need to capture this maybe-movement in something like real time, to ensure that none of its complicated fury would be lost to tepid retrospective accounts. To enter the splendid core of ire and intelligence coursing through Rebecca Traister’s third book, “Good and Mad: The Revolutionary Power of Women’s Anger,” is to be sustained by its heat, invigorated, galvanized.
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